The Mazeti neck has the standard long 34 inch scale, and the geometry of the Fernandez body required me to move the bridge back an inch, and the neck I also moved slightly, so the bridge saddles intonate nicely at around half their adjustment range. The machine-heads (tuners) are super smooth Gotoh, and tuning them up is a bit like tuning a Les Paul in reverse: the low E string is tuned from the other side of the head as with the high E on the Les Paul; then the A is the next on that other side; then D is furthest up on this side, and G where low E would be on the Les Paul. Sounds a bit strange I know, but seems to work the other side of your brain and helps in odd ways when you play. I have wired it up in jazz bass form: individual volumes that as I say will blend with each other; the tone control is that small amber knob between the two volumes.
I have set it up initially with an extra low string action to disclose any high spots on the neck that I may need to flatten during the settling in phase... The low B on the A strings was a bit like that and I sorted it this afternoon, but there may be others. I will if I can, make an accompanying youtube video to show the guitar a bit for sound and balance.